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Asherah, or Ashtoreth, was the name of the chief female deity worshiped in ancient Syria, Phoenicia, and Canaan. The Phoenicians called her Astarte, the Assyrians worshiped her as Ishtar, and the Philistines had a temple of Asherah (1 Samuel 31:10). Because of Israel’s incomplete conquest of the land of Canaan, Asherah-worship survived and plagued Israel, starting as soon as Joshua was dead (Judges 2:13).

Asherah was represented by a limbless tree trunk planted in the ground. The trunk was usually carved into a symbolic representation of the goddess. Because of the association with carved trees, the places of Asherah worship were commonly called “groves,” and the Hebrew word “asherah” (plural, “asherim”) could refer either to the goddess or to a grove of trees. One of King Manasseh’s evil deeds was that he “took the carved Asherah pole he had made and put it in the temple” (2 Kings 21:7). Another translation of “carved Asherah pole” is “graven image of the grove” (KJV).

Considered the moon-goddess, Asherah was often presented as a consort of Baal, the sun-god (Judges 3:7, 6:28, 10:6; 1 Samuel 7:4, 12:10). Asherah was also worshiped as the goddess of love and war and was sometimes linked with Anath, another Canaanite goddess. Worship of Asherah was noted for its sensuality and involved ritual prostitution. The priests and priestesses of Asherah also practiced divination and fortune-telling.

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from The Lyre of Megiddo: Echoes of Ancient Canaan, released June 14, 2018

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Michael Levy UK

Michael Levy is a prolific composer for the recreated lyres of antiquity, whose musical mission is to create an entirely new musical genre, which could best be described as a 'New Ancestral Music' - dedicated to reintroducing the recreated lyres, ancient musical modes and intonations, back into the modern musical world.. ... more

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