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This piece attempts to evoke the ancient mystery of the Canaanite mother goddess, Asherah:

Asherah, or Ashtoreth, was the name of the chief female deity worshiped in ancient Syria, Phoenicia, and Canaan. The Phoenicians called her Astarte, the Assyrians worshiped her as Ishtar, and the Philistines had a temple of Asherah (1 Samuel 31:10). Because of Israel’s incomplete conquest of the land of Canaan, Asherah-worship survived and plagued Israel, starting as soon as Joshua was dead (Judges 2:13).

Asherah was represented by a limbless tree trunk planted in the ground. The trunk was usually carved into a symbolic representation of the goddess. Because of the association with carved trees, the places of Asherah worship were commonly called “groves,” and the Hebrew word “asherah” (plural, “asherim”) could refer either to the goddess or to a grove of trees. One of King Manasseh’s evil deeds was that he “took the carved Asherah pole he had made and put it in the temple” (2 Kings 21:7). Another translation of “carved Asherah pole” is “graven image of the grove” (KJV).

Considered the moon-goddess, Asherah was often presented as a consort of Baal, the sun-god (Judges 3:7, 6:28, 10:6; 1 Samuel 7:4, 12:10). Asherah was also worshiped as the goddess of love and war and was sometimes linked with Anath, another Canaanite goddess. Worship of Asherah was noted for its sensuality and involved ritual prostitution. The priests and priestesses of Asherah also practiced divination and fortune-telling.

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from Echoes of Ancient Mesopotamia & Canaan, released December 16, 2019

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Michael Levy UK

Michael Levy is a composer for the recreated lyres of antiquity,

Michael has collaborated with the Rufus Wainwright - Rufus Orchestrated Michael's "Hymn to Zeus" in 2 scenes of his second opera, "Hadrian".

In 2022 - 2023, Michael collaborated with the iconic American artist, Jeff Koons – his music for ancient Greek kithara was the soundscape of Koon’s sculpture, “Apollo Kithara”. ... more

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