The Music of Moses (Improvisation on an Ancient Egyptian Minor Pentatonic Scale - Arranged For Replica 3000 Year Old Lyre)

from by Michael Levy

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"The Music of Moses" is an improvisation on the lyre, which uses a genuine pentatonic ancient Egyptian scale - last heard, some 3400 years ago, during the time of Moses! This piece originally featured on my album, "King Davd's Lyre; Echoes of Ancient Israel"...

KING DAVID'S LYRE

The truly ancient Jewish Kinnor, was the very first lyre to be mentioned in the Hebrew Bible, where it is now commonly mistranslated as "harp" - Jubal was the son of Lamech and Adah, a brother of Jabal, a descendant of Cain, and according to the Bible, "he was the ancestor of all who played the lyre and pipe" (Genesis 4:21).

References to this beautiful Biblical lyre of antiquity can also be found throughout the entire text of the Hebrew Bible, for example:

Psalm 33:2, 43:4, 49:4, 57:8, 71:22, 81:2, 92:3, 98:5, 98:5, 108:2, 147:7, 149:3, 150:3, 137:2

In Biblical times, the Kinnor was usually made of cypress wood, or in very precious instruments, of sandalwood (I Kings 10: 12; described as "almug"). According to the ancient writings of the Jewish historian Josephus Flavius, who actually witnessed the Kinnor being played by the Levites in the Temple of Jerusalem, the Kinnor had ten strings, made of sheep gut.

The Biblical Kinnor Lyre was the actual "Harp of David", once played by King David himself, 3000 years ago, as he danced before the very Ark of the Covenant (II Samuel 6:5), and for over 1000 years, the mystical resonance of the Kinnor could be heard wafting down from the Temple Mount, as my very own, very ancient Levite ancestors played their Kinnors in the Courtyard of the Temple of Jerusalem, to accompany the almost legendary singing of the Levitical Choir (II Chronicles 5:12).

The Kinnor on which I am playing, is of the Second Temple Era design; from the actual time of Jesus! The design of my replica instrument is based illustrations of the Kinnor depicted on ancient Jewish coins minted at the time of the Simon Bar Kochba Revolt against the Roman occupation in Israel .

The design of the Jewish Temple Lyre in the time of Jesus is remarkably similar to the ancient Greek Kithara; the large wooden lyre played by the professional musicians of ancient Greece. This could possibly demonstrate the Hellenistic influence on Jewish culture at this time? Indeed, it is know that Herod often imported Greek musicians for the various festivals in Jerusalem.

IMPROVISIATION ON AN ANCIENT EGYPTIAN SCALE

Although tragically no actual written music from ancient Egypt has survived, we do know from many ancient illustrations, that the ancient Egyptians did use a form of musical notation, whereby specific gestures of the hand represented specific changes in pitch in a given musical scale - this is ancient form of musical notation is known as "Chironomy". We also know some of the specific scales once used in ancient Egypt, thanks to the discovery of serveral ancient Egyptian flutes, still in playable condition! The ancient lost art of Chironomy, and details of this haunting, ancient Egyptian scale are discussed at length in this fascinating article:

www.rakkav.com/biblemusic/pages/chironomy.htm

The minor pentatonic scale I am using in this improvisation, was deciphered from ancient chironomy gestures by the late Professor Hans Hickmann, of the Museum in Cairo.

This improvisation is therefore my attmept to evoke the sounds of the Lyres heard in the New Kingdom of Ancient Egypt, over 3000 years ago...

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from Ancient Landscapes, released May 9, 2011

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Michael Levy UK

Michael Levy is a prolific composer for the recreated lyres of antiquity, whose musical mission is to create an entirely new musical genre, which could best be described as a 'New Ancestral Music' - dedicated to reintroducing the recreated lyres, ancient musical modes and intonations, back into the modern musical world.. ... more

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